You may even wonder why you are putting yourself through it. It’s an intensely disempowering, stressful experience that will have your palms sweating and your heart racing. Hearing it slither through the walls, or seeing its acidic saliva drip from the vents above you never ceases to invoke terror. No matter how much you try and understand it, you will never feel like you truly know what to do. No two encounters are the same, with the xenomorph just as intent on killing you as you are on surviving.
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It is about as close to a real Alien simulator as you can get. Dynamic AI ensures you can never know what the xenomorph is going to do, and it learns from your behaviour as the game goes on. Giger’s xenomorph design to go off, but also went to painstaking lengths to make sure the creature’s behaviour was unscripted. Then, of course, there is the alien itself, a marvel of video game design the likes of which had never been seen before.
The graphics still hold up to this day, and it’s hard to believe the game is nearly 10 years old. This unreliable technology, combined with the crackling sound design helps create a pervasive sense of anxiety. The fuzzy UI, clunky VHS and Betamax-filtered tech, and CRT monitors harken back to the rough, down and dirty science-fiction worlds of the 70s and 80s.
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Windows looking out into the vast expanse of space provide only an occasional respite. Every dark, misty corridor and cramped air-vent heightens an intense sense of claustrophobia that refuses to let up for the 18 or so hours that the game takes to finish. Having been provided with unfettered access to almost all of 20th Century Fox’s original production material, Sevastapol is a terrifying, panic-stricken locale that embraces the dark retro-futurism of that film.įractured light dominates the station. It’s hard to overstate the affinity and respect that Creative Assembly clearly felt towards Ridley Scott’s 1979 movie.
Separated from the rest of your crew, you are forced to board the station alone, coming to find it abandoned, derelict, and that an unwanted passenger has been killing the few remaining survivors. Playing as Ellen Ripley’s daughter Amanda, you are informed that the flight recorder from the Nostromo has been located aboard the Sevastapol, a giant space station belonging to the Seegson Corporation. In light of this, and the large grain of salt that must be taken alongside it, it feels like a great time to look back at this underappreciated gem, what made it so special, and why not continuing its story would be a crime.Īlien: Isolation picks up 15 years after the events of the original film, effectively mirroring what worked, while also building on it in a way entirely organic to the lore. But, if rumours from late last year are to be believed, this may now be more than just a pipe dream. Unclouded by conscience, remorse, or delusions of morality”.įollowing decent-ish reviews, but disappointing sales, many fans had presumed that a sequel to Alien: Isolation was dead in the water. Its structural perfection is matched only by its hostility… A survivor. The developer instilled in video game form a behemoth reflective of those famous words spoken by Ash (Ian Holm) in the first movie: “The perfect organism. Giger’s freaky, psychosexual, Freudian creature design is an unstoppable force that has no goal in mind other than to destroy you. In 2014, video game developer Creative Assembly sought to remind everyone what made this grotesque extra-terrestrial so terrifying. What was an invulnerable, nightmarish monster became something that could easily be killed with the right amount of firepower. But it changed the very nature of the creature. On the contrary, it is one of the greatest action films ever made. This is not to say that Aliens is a bad film. James Cameron’s action-oriented 1986 sequel Aliens arguably ruined what made the xenomorph so horrifying. Alien: Isolation is a game so dripping in atmosphere, so intensely coloured with dread that you’d be tempted to call it the true sequel to Ridley Scott’s 1979 terror-inducing Alien.
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